Encyclopedia/All topics/Acoustics
Acoustics
Articles 1–44 of 44. Alphabetical by title.
Acoustics Harmonic Distortion Rs
A machine-checked module about sound distortion proves only generic facts about a cost function, not facts about acoustics.
Acoustics Harmonic Distortion Rs Canonical Threshold
A machine-checked library defines a number meant to mark the edge of audible distortion, but proves only that the number is positive.
Acoustics Harmonic Distortion Rs Canonical Threshold Pos
A machine-checked proof shows a proposed audibility threshold is positive, but the number itself is a research note, not a derived result.
Acoustics Harmonic Distortion Rs Cert
A machine-checked certificate records three simple mathematical facts about a cost function; it does not prove anything about hearing.
Acoustics Harmonic Distortion Rs Cert Inhabited
A machine-checked proof shows that a certain abstract certification structure is not empty, but the proof itself says nothing about real acoustic distortion.
Acoustics Harmonic Distortion Rs Domain Cost
A machine-checked library proves three general facts about a cost function, but its acoustic meaning remains an unproven research note.
Acoustics Harmonic Distortion Rs Domain Cost At Eq
A machine-checked theorem proves one small fact about a cost function; the acoustics meaning it was built for remains unproved.
Acoustics Harmonic Distortion Rs Harmonic Dist Cert
A machine-checked certificate in the Recognition Science library proves three general facts about a cost function, but says nothing specific about harmonic distortion.
Acoustics Middle C Frequency Rs
Middle C is the note at 261.63 Hz; a framework called Recognition Science tries to reach that number from a single scaling constant.
Acoustics Middle C Frequency Rs Middle Cfreq Rs
A machine-checked file about middle C proves only general facts about a cost function, not that the note's frequency is 261.63 Hz.
Acoustics Music Consonance From Jcost
A single cost function ranks musical intervals from the most consonant to the most dissonant, with the octave and fifth near the top and the tritone at the bottom.
Acoustics Music Consonance From Jcost Domain Cost At Equilibrium
A machine-checked theorem states that when two frequencies are equal, the recognition cost between them is exactly zero, a fact that anchors a proposed ranking of musical consonanc
Acoustics Music Consonance From Jcost Music Consonance Cert
A machine-checked certificate records three general facts about a cost function, but says nothing yet about music itself.
Acoustics Music Pitch Jndfrom Jcost
The smallest pitch change a trained ear can hear is a fixed fraction of an octave, and one framework derives that fraction from a single cost function.
Acoustics Music Pitch Jndfrom Jcost Pitch Cost
A single formula from a recognition framework converts frequency ratios into a cost, and its smallest meaningful step lands inside the range where trained musicians detect a differ
Acoustics Music Pitch Jndfrom Jcost Pitch Cost At Unison
When two tones match exactly, the Recognition Science framework assigns them a recognition cost of zero, a small theorem with a clear boundary.
Acoustics Music Pitch Jndfrom Jcost Pitch Cost Nonneg
A theorem about a cost function guarantees that comparing two sounds never yields a negative price, a small but load-bearing fact for a theory of pitch perception.
Acoustics Music Pitch Jndfrom Jcost Pitch Jndcert
A machine-checked certificate packages the just-noticeable difference of pitch as a fraction of the octave, and proves that fraction is positive and less than one.
Acoustics Music Pitch Jndfrom Jcost Pitch Jndfraction
A machine-checked definition pins the smallest noticeable pitch change to a specific fraction of an octave, then the claim stops at the edge of what hearing tests can confirm.
Acoustics Music Pitch Jndfrom Jcost Pitch Jndfraction Lt One
A theorem about a fraction of an octave, and what it does and does not say about the limits of human hearing.
Acoustics Music Pitch Jndfrom Jcost Pitch Jndfraction Pos
A machine-checked theorem proves the framework's proposed pitch discrimination step is a positive fraction of an octave, but the link to human hearing remains a prediction.
Acoustics Musical Note A4 Exact Rs
The note A4 is defined as 440 Hz, but what does that mean for a theory of recognition costs?
Acoustics Musical Note A4 Exact Rs A4 Exact Rs
The declaration A4ExactRS bundles three general facts about a cost function, but it does not derive the 440 Hz tuning standard.
Acoustics Room Acoustics From Phi Ladder
Room acoustics classifies five acoustic environments, from anechoic to echoic, and the golden ratio governs the scaling between them.
Acoustics Room Acoustics From Phi Ladder Room Acoustic Regime
A machine-checked library of formal theorems defines five room-acoustic regimes and ties their reverberation times to the golden ratio.
Acoustics Room Acoustics From Phi Ladder Room Acoustic Regime Count
A machine-checked theorem counts five canonical room-acoustic regimes, and a companion proof shows their reverberation times climb by the golden ratio.
Acoustics Room Acoustics From Phi Ladder Rt60
In room acoustics, RT60 is the time for a sound to decay by 60 decibels; the framework's rt60 builds that familiar quantity from a single scaling ratio.
Acoustics Room Acoustics From Phi Ladder Rt60 Pos
In room acoustics, a simple theorem proves that reverberation time, scaled in golden-ratio steps, is always a positive number.
Acoustics Room Acoustics From Phi Ladder Rt60 Ratio
A machine-checked theorem says that in one framework's model of room acoustics, reverberation time rises by the golden ratio from one regime to the next.
Acoustics Room Acoustics Rt60 Rs
Reverberation time RT60 measures how long a room's sound takes to decay by 60 decibels, and a framework called Recognition Science models its ideal values with a golden-ratio
Acoustics Room Acoustics Rt60 Rs Rt60 Cert
A formal certificate about reverberation time that proves only general facts about cost, not the acoustic values it names.
Acoustics Room Acoustics Sabine From Jcost
A century-old formula for how long sound lingers in a hall, and a modern proof that the ideal concert hall obeys the golden ratio.
Acoustics Room Acoustics Sabine From Jcost Optimal T60
In room acoustics, the Sabine formula T60 = 0.161 V/A sets the standard for how long sound lingers, and one framework derives an optimal value from a single cost function.
Acoustics Room Acoustics Sabine From Jcost Optimal T60 Band
A machine-checked theorem pins the ideal concert-hall reverberation time to a narrow band around 1.618 seconds, the golden ratio.
Acoustics Room Acoustics Sabine From Jcost Over Damped Below One
A machine-checked theorem pins the optimal concert-hall reverberation time above one second, matching the golden ratio.
Acoustics Room Acoustics Sabine From Jcost Room Acoustics Cert
A machine-checked certificate pins the optimal concert-hall reverberation time to the golden ratio, within a narrow band.
Acoustics Room Impulse Response From Jcost
A room's acoustic fingerprint, called its impulse response, measures how sound decays after a clap, and Recognition Science models that decay with a single cost function.
Acoustics Room Impulse Response From Jcost Room Impulse Cert
A formal certificate in the Recognition Science library proves three general properties of a cost function, but it does not yet connect them to any specific room or sound.
Acoustics Speech Intelligibility From Jcost
Speech intelligibility, the fraction of words a listener catches, can be described by a single cost function on the signal-to-noise ratio.
Acoustics Speech Intelligibility From Jcost Hearing Loss Penalty Zero
A machine-checked theorem pins down the one point where hearing loss costs nothing: when the signal exactly meets the noise threshold.
Acoustics Speech Intelligibility From Jcost Speech Intelligibility Cert
Speech intelligibility depends on the signal-to-noise ratio, and a machine-checked certificate pins down the exact cost of a mismatch.
Acoustics Speech Intelligibility From Jcost Sr Cost Nonneg
A machine-checked proof shows that the cost of recognizing speech never goes negative, but it does not by itself prove that any particular listener will understand any particular s
Acoustics Speech Intelligibility From Jcost Sr Cost Reciprocal Symm
The cost of recognizing speech follows a strict symmetry: a signal twice as strong as noise costs the same to recognize as one half as strong.
Acoustics Speech Intelligibility From Jcost Sr Cost Zero At Threshold
Speech intelligibility drops as background noise rises; the Recognition Science framework pins the exact point where recognition becomes effortless.